{"id":2962,"date":"2022-11-13T17:41:51","date_gmt":"2022-11-13T09:41:51","guid":{"rendered":"https:\/\/www.emilywang.net\/?p=2962"},"modified":"2022-11-20T21:34:35","modified_gmt":"2022-11-20T13:34:35","slug":"unseen-the-seen","status":"publish","type":"post","link":"https:\/\/www.emilywang.net\/lclaude\/news\/unseen-the-seen\/","title":{"rendered":"Unseen the Seen\uff5c\u53ef\u898b \u4e0d\u53ef\u898b"},"content":{"rendered":"

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Capturing Memories that Cannot be Reproduced<\/h2>\n
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“To read the unwritten.”\u00a0 — Hugo von Hofmannsthal<\/h5>\n<\/blockquote>\n

2022.11.18-2023.01.29<\/h4>\n

Curator: Jenny Lee\uff5c\u674e\u664f\u798e<\/h4>\n

Artist: Emily Wang\uff5c\u738b\u6176\u860b, Chiu Chen-Hung\uff5c\u90b1\u627f\u5b8f, Yeh Wei-Li\uff5c\u8449\u5049\u7acb<\/h4>\n

Gallery: LIGHTWELL<\/a><\/h4>\n

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Exhibition Brochure<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_tabs _builder_version=”4.19.1″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][et_pb_tab title=”Artist Statement” _builder_version=”4.19.1″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

To me, photography is a private and inward process\u2014taking in the world through the confinement of a camera lens, it is about in-sight.<\/p>\n

I am drawn to light, but it is through its counterpart\u2014shade\u2014that myriad of colors accentuated, space created, such that experience gains dimension, and life becomes substantial. Hence my creation often explores the possibilities of in-between space, physical or symbolic, and always in light of shadow.<\/p>\n

The photographs in this show are selected from two series, each explores the poetics of constructed space in diptych or triptych format: The co-presence of the interior and the exterior in Juxtaposition<\/em> series, and the intimate space formed within paper and wire sculptures in Still Life Diptych<\/em> series. My sensitivity to the shifting spectrum of light in times of day, and the interaction of lightings in different circumstances has prompted me to emphasize specific color cast in my work\u2014a tint of particular color that is usually considered undesirable in photography, which becomes a vehicle to harmonize each diptych\/triptych and enables me to transform each work into a world other than its mimetic appearance.<\/p>\n

Exhibited alongside my photographs is a small light modulator I create on-site with plain paper to represent the seed of my inspiration. It is both the subject of my visual contemplation and photography. A light modulator sits like a still life in my studio, but my experience and relation with it change after a prolonged period of seeing, and I continue to shape it or mix it with other available materials in the studio. This cycle of contemplating, shaping, reshaping, and photographing continues until it becomes so deteriorated that I have to give it up. Therefore, the light modulator is a living thing, much like the organic process of creation. To give the audience a sense of my process, I would come to the gallery to work on the light modulator and photograph it from time to time, as what I do in the studio.<\/p>\n

To photograph, is to distill the ephemerals. To create, is to give birth to a new order. A photograph may always be rooted in this world, but each frame offers potential shift in sight and perspective, thereby forming a new meaning and reality.<\/p>\n

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When looking at an artwork, we may often ask, \u201cWhat do I see?\u201d What does \u201cI see\u201d entail? Does it mean that we understand the artistic concept, or we not only understand it but are also moved by the work? What if we can\u2019t comprehend the concept but still resonate with the work itself? The ways of seeing seem vary by circumstances, time and space, pending on our perceptual acuity or even collective experience in a larger context.\u00a0<\/span><\/p>\n

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Through the works of Emily Wang, Chiu Chen-hung, and Yeh Wei-li, this exhibition suggests a standpoint for audiences to uncover the moments when memories of objects, spaces, and events become solidified and sustained. Also explored are the countless and invisible ideas generated in the artists\u2019 minds: How they are drawn from the artists\u2019 respective upbringings, value system, and intimate memories, then translated and transformed, and finally materialized into visible and tangible forms.<\/span><\/p>\n

\u00a0<\/div>\n
Encountering the world through the monocular vision of camera lens,\u00a0artist Emily Wang reconfigures images via experimental means to bring a new perspective to experiences and memories. The photographs exhibited are selected from two series. Wang not only rearranges available materials but also constructs unique visual space to create new memories. By accentuating certain quality of light in each photograph, she allows color cast to conjure a new order in various environments, thereby leading the audience to distinctive experiences. In the Juxtaposition series, the artist uses a curious eye to juxtapose perspectives of everyday indoor\/outdoor environments, challenging our accustomed way of seeing. The Still Life Diptych series, on the other hand, uses materials readily available in the studio, arranged intentionally or spontaneously, to capture the instant of interaction with mixed lighting, and stretches that split second into eternity.<\/span><\/div>\n
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Serenity is a notable quality found in Chiu Chen-hung’s works. Even with industrial materials and techniques, there is a tranquil quality emanated from within Chiu\u2019s work throughout his artistic practices. Daylighting is a series of relief works that combine painting and sculpture into carvings of light and shadow on concrete. This series evokes a familiar scenery\u2014tree shadows swaying outside the window, triggering us to unearth memories buried deep, personal or collective. Another series of sculptural works Embroidered Swallows employs 3D printing to enlarge the fissures and gaps in the animal sculptures of the artist’s Concrete Zoo series, then inlays terrazzo with brass to create rock-like forms. Completing the fissures themselves into hefty rocks and returning artificiality to nature is another self-expression for the artist.<\/span><\/p>\n<\/div>\n

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In 2016, Wei-Li Yeh relocated from Yangmei, Taoyuan to the scenic northeast coast of Shuinandong, Ruifang to undertake a project on-site: that of transforming a long-abandoned estate into a residence museum of the late Master guqin maker and painter Yeh Shih-Chiang (1926-2012). A geographically dynamic area of unusual beauty, Shuinandong is a small community nestled on the side of a cliff overlooking the Pacific Ocean. This neighborhood began as a series of multi-layered and terraced wooden rowed dormitory housing built for miners working in the vast local mining complex on the adjacent hill. Random Encounter at Shuinandong #1 depicts a setting inside an anonymous building in the community of Shuinandong where Wei-Li Yeh resides. Like a reclusive neighbor whom Yeh occasionally passes by and purposely visits from time to time. Random Encounter at Shuinandong #1, an artwork comprised of four parts, is placed at four pivotal spaces along the navigation route of the LIGHTWELL exhibition space. The movement through this spatial configuration mirrors the development of this artwork about the dynamic transformation of time and life of objects through artistic intervention. Known for his long-term site-specific projects, Yeh\u2019s practice often revitalizes and transforms the environmental surroundings in which he occupies while compressing and distilling years of time and labor into still images. This trail of found material, text, and photography entices the viewer to question, explore, and ultimately, engage in the possibilities and the many ways of \u201cseeing.\u201d<\/span><\/p>\n<\/div>\n

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Feelings of resonance, curiosity, or even confusion may arise when viewing these works. By trying to understand, sensing the relationship between ourselves and the works, and using visual clues to perceive the impalpable vibrations and ripples within, we might be able to unveil the seen and unseen, layer by layer, to truly grasp the hidden meanings of each work.<\/span><\/p>\n

– Jenny Lee<\/span><\/p>\n

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\u6355\u6349\u7d93\u9a57\u88e1\u7121\u6cd5\u518d\u73fe\u7684\u8a18\u61b6<\/span><\/strong><\/p>\n

\u300c\u53bb\u95b1\u8b80\u90a3\u4e9b\u5f9e\u672a\u88ab\u5beb\u51fa\u7684\u3002\u300d\u00a0———————- \u970d\u592b\u66fc\u65af\u5854\u723e (Hugo von Hofmannsthal)<\/span><\/p>\n

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2016\u5e74\uff0c\u8449\u5049\u7acb\u56e0\u53c3\u8207\u5df2\u6545\u85dd\u8853\u5bb6\u8449\u4e16\u5f37\u6545\u5c45\u7d00\u5ff5\u9928\u7684\u5efa\u7f6e\uff0c\u5f9e\u6545\u9109\u6843\u5712\u694a\u6885\u79fb\u5c45\u5230\u53f0\u7063\u6771\u5317\u89d2\u4e0a\u80cc\u5c71\u9762\u6d77\u7684\u6c34\u6e73\u6d1e\uff0c\u4e00\u500b\u56e0\u65e5\u64da\u6642\u671f\u8208\u76db\u7684\u63a1\u7926\u7522\u696d\u800c\u5927\u898f\u6a21\u4fee\u5efa\u7684\u7926\u5de5\u5bbf\u820d\u805a\u843d\u3002\u57281981\u5e74\u6c34\u6e73\u6d1e\u9078\u7149\u5ee0\u505c\u6b62\u71df\u904b\u5f8c\uff0c\u5c45\u6c11\u9813\u5931\u5de5\u4f5c\u4f86\u6e90\u800c\u9678\u7e8c\u79fb\u51fa\u3002\u9019\u6b21\u5c55\u51fa\u7684\u65b0\u4f5c\u300a\u5076\u9047\uff0c\u6c34\u6e73\u6d1e #1\u300b\uff0c\u662f\u8449\u5049\u7acb\u5728\u6c34\u6e73\u6d1e\u5076\u7136\u9047\u898b\u7684\u4e00\u9593\u5ee2\u68c4\u7a7a\u5c4b\uff0c\u5b83\u50cf\u662f\u500b\u5be1\u8a00\u4f46\u4e0d\u6392\u65a5\u4f86\u5f80\u7684\u9130\u5c45\uff0c\u5076\u723e\u8def\u904e\u770b\u671b\u6216\u523b\u610f\u62dc\u8a2a\uff0c\u6210\u70ba\u85dd\u8853\u5bb6\u65e5\u5e38\u4e2d\u5fae\u5fae\u639b\u5fc3\u7684\u6240\u5728\u3002\u300a\u5076\u9047\uff0c\u6c34\u6e73\u6d1e #1\u300b\u7531\u4e09\u500b\u7269\u4ef6\u8207\u4e00\u500b\u71c8\u7bb1\u7d44\u5408\u800c\u6210\uff0c\u5b89\u843d\u5728\u5c55\u5834\u52d5\u7dda\u4e0a\u7684\u56db\u500b\u6a1e\u7d10\u8655\uff0c\u89c0\u770b\u7684\u8def\u5f91\u547c\u61c9\u7269\u4ef6\u7684\u52d5\u614b\u8207\u8f49\u5316\u3002\u8449\u5049\u7acb\u85c9\u7531\u8eab\u9ad4\u52de\u52d5\u7684\u4ecb\u5165\uff0c\u66f4\u65b0\u751a\u81f3\u5ef6\u9577\u7269\u4ef6\u7684\u751f\u547d\uff0c\u662f\u85dd\u8853\u5bb6\u7368\u6709\u7684\u6558\u4e8b\u8207\u7f8e\u5b78\u8868\u73fe\u5f62\u5f0f\uff0c\u5c07\u5176\u591a\u5e74\u7684\u5be6\u8e10\u51dd\u7d50\u65bc\u4e00\u5e45\u975c\u7f6e\u7684\u756b\u9762\u7576\u4e2d\u3002\u756b\u9762\u672c\u8eab\u662f\u4e00\u500b\u300c\u990c\u300d\uff0c\u8a98\u4f7f\u89c0\u8005\u63d0\u554f\u3001\u63a2\u7d22\u9032\u800c\u5f97\u5230\u4e0d\u540c\u7684\u770b\u898b\u3002<\/span><\/div>\n
<\/div>\n
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\u900f\u904e\u89c0\u770b\u85dd\u8853\u5bb6\u7684\u4f5c\u54c1\uff0c\u6211\u5011\u53ef\u80fd\u7522\u751f\u5171\u9cf4\uff0c\u6216\u8005\u597d\u5947\uff0c\u751a\u81f3\u7591\u60d1\u3002\u85c9\u7531\u8a66\u5716\u7406\u89e3\u4f5c\u54c1\u3001\u611f\u53d7\u81ea\u6211\u8207\u85dd\u8853\u4f5c\u54c1\u4e4b\u9593\u7684\u95dc\u4fc2\uff1b\u85c9\u7531\u53ef\u898b\u7684\u7dda\u7d22\uff0c\u611f\u77e5\u90a3\u4e0d\u53ef\u898b\u7684\u9707\u52d5\u8207\u6f23\u6f2a\uff0c\u9032\u800c\u80fd\u5920\u6380\u958b\u4f5c\u54c1\u5c64\u5c64\u9762\u7d17\uff0c\u771f\u6b63\u9032\u5165\u4f5c\u54c1\u5167\u88e1\u6697\u85cf\u7684\u85f4\u610f\u3002<\/span><\/p>\n

– \u674e\u664f\u798e<\/span><\/p>\n

<\/span><\/p>\n<\/div>\n

<\/div>\n

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Installation View<\/h2>\n

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Through the works of Emily Wang, Chiu Chen-hung, and Yeh Wei-li, this exhibition suggests a standpoint for audiences to uncover the moments when memories of objects, spaces, and events become solidified and sustained. Also explored are the countless and invisible ideas generated in the artists\u2019 minds: How they are drawn from the artists\u2019 respective upbringings, value system, and intimate memories, then translated and transformed, and finally materialized into visible and tangible forms.<\/p>\n","protected":false},"author":1,"featured_media":3043,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"1080","_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[29],"tags":[],"class_list":["post-2962","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.emilywang.net\/lclaude\/wp-content\/uploads\/2022\/11\/%E5%B1%95%E8%A6%BD%E4%B8%BB%E8%A6%96%E8%A6%BA_1024.png?fit=1024%2C448&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/p8tHFO-LM","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.emilywang.net\/lclaude\/wp-json\/wp\/v2\/posts\/2962","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.emilywang.net\/lclaude\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.emilywang.net\/lclaude\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.emilywang.net\/lclaude\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.emilywang.net\/lclaude\/wp-json\/wp\/v2\/comments?post=2962"}],"version-history":[{"count":26,"href":"https:\/\/www.emilywang.net\/lclaude\/wp-json\/wp\/v2\/posts\/2962\/revisions"}],"predecessor-version":[{"id":3088,"href":"https:\/\/www.emilywang.net\/lclaude\/wp-json\/wp\/v2\/posts\/2962\/revisions\/3088"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.emilywang.net\/lclaude\/wp-json\/wp\/v2\/media\/3043"}],"wp:attachment":[{"href":"https:\/\/www.emilywang.net\/lclaude\/wp-json\/wp\/v2\/media?parent=2962"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.emilywang.net\/lclaude\/wp-json\/wp\/v2\/categories?post=2962"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.emilywang.net\/lclaude\/wp-json\/wp\/v2\/tags?post=2962"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}